thomas köner - kaamos - mille plateaux - 1988
images from jürgen reble's chicago - 1996
marked by layers of residue, shifting abstract surfaces, chemical traces, scratches and blotches, as though a virus has infected the image, distorting its tone and colour, imbuing it with unusual textures and a strange aura. in these films destructive processes are the creative aesthetic agent.
- steven ball * on the work of jürgen reble, which could also work for kaamos, especially the track with reble; tabula smaragdina
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